Cargo Records - Catalog

ATOMIC ROTARY GRINDING GOD/QUICKSIL LOVED AND CONFUSED PHANTOM OF GALACTIC MAGNUM

LA LE LO (OCCITAN TRAD.) L' AMBITION DANS LE MIROIR (COTTON

LADY FROM HELL WOMAN FROM A HELL

WALKING BAD PARTIES BRUT OR FREEWAYS AND THEIR DISCONTE LETTER OF INVITATION STRUCTURE BACK ON THE TRACKS JELLO SUNDAY (NATURE WINS AGAIN)

NOISE IS POLITICAL KILLING MACHINE SURLY AMBASSADOR BUBBLEGUM UPON ROCK CITY WHEN SIBLINGS ATTACK FAT FACE WE CALL YOU NASTY TOM DELAY SEEING THINGS AGAIN IF YOU DON'T LIVE HERE DON'T SURF H KINGSTON HANDS OFF MY ISSUES KITTEN KITTEN KITTEN KITTEN KITTEN

CPC Gangbangs rise from ashes of garage punk architects Les Sexareenos, Daylight Lovers and Spaceshits and create a new drug, punk, weirdo, hate trip that spews from the Franco-Anglo Petri dish of Montreal. Although their sound is celebratory and consuming it is often evil as well and full of the promise of self-destruction boosted by copious amounts of cocaine, LSD and Canadian Maple Whiskey.

THE MECHANISM EYEMOTE BLUE SEVEN CONFERENCE CALL H2 SONARISME VIEW FROM BELLEVUE OASIS OF WHISPERS BLOW

Tim Hecker is not be confused with Mego's Florian Hecker, but is rather the alter ego of techno maverick Jetone. This marks the first release under the artist's real name, aswell as a leap away from techno. This latest recording explores the artist's interest in structured ambient sound. Here he has constructed strong ambient pieces using lap top, guitar and piano and treating the material in various programs. There are certainly similarities to the likes of Angelo Badlementi, Fennesz, Gas and Oval, but overall the sound is incredibly unique. Tim Hecker has managed to

INTRODUCING CARL COCKS SAMMY LOVES EDDIE HATES DAVID HELLO DETROIT MIDNIGHT WHISPERS THE RETURN OF SAM SNEAD

SONG OF THE HIGHWIRE SHRIMPER (THEY CALL ME) JIMMY SPECTRAL I'M TRANSMITTING TONIGHT 7000 MILES SHIPYARDS OF LA CEIBA CARELESS WHISPERS THE STAR COMPASS AZURE AZURE TRADE WINDS, WHITE HEAT

L'ÉCLAT DU CIEL ÉTAIT INSOUTENABLE LIME KILN DON'T LET THE ANGELS FALL CITY OF GOLD I CAN TRANSFORM MYSELF INTO ANYONE JAKOMINIPLATZ 21-87 SILVER PLANES BLESSED ARE WE WHO SEEM TO BE LOSER LUCY'S SAD CITY OF GOLD (REPRISE) WHIP NOVI BEOGRAD

MESON GLUON BARYON PION

DANCE 4 DANCE 2 POP LET'S DANCE 3 BALLADS MISTY MEDLEY DISTRESS CALL DANCE 1 GROOVE UNTITLED

DIRT WELL BUILDING A ROPE LITTLE FECK INSISTANT FALLS MY NAME IS LEMUEL HEART OF A MOUSE TINKLE REPTILE RADIATORHEART

CAAMCKNE NECHN LOLLIPOP LADY BAD SMELL GEORGES V LA CHIENNE DIDI EXTRA PRINCE R. WUNDERKIND UN IMPERM COCKTAIL VAMPIRE CONSTANTINOPLE MYSANTROPIC LA PREMI

SISTERS IN THE STRUGGLE SEDITION THE COLD TOUCH OF LEATHER VICTORIA'S SECRET WE WON'T GIVE IT BACK PARTY TIME (A WOMAN'S LUV) IS THIS THE WAY? ALONE IN THE MADNESS IT'S PRACTICALLY FREEDOM MORTIFIED

SISTERS IN THE STRUGGLE SEDITION THE COLD TOUCH OF LEATHER VICTORIA'S SECRET WE WON'T GIVE IT BACK PARTY TIME (A WOMAN'S LUV) IS THIS THE WAY? ALONE IN THE MADNESS IT'S PRACTICALLY FREEDOM MORTIFIED

This live offering marks our fourth release with Madrid, Spain's Francisco López in as many years. Over the same period we have organized nearly a dozen live events with the artist. This release documents an especially memorable performance from 2002. "Live in Montreal" commences very quietly as a barely audible hiss, which proceeds to build in intensity until the sixteen minute mark, then falls back into silence for a few seconds before advancing into the next movement of the piece. At this point the performance takes on a more scary and sinister shape. Sounds seem to

Untitled # 104 was premiered in Barcelona this past summer at the hip Sonar event to a completely stunned audience. Onlookers that were expecting to have to strain themselves to hear López's ultra silent environmental collages were shocked by what turned out to be the most intense performance of the festival. His releases rarely indicate which particular sound sources are being used. He is very open about the fact that he is often working with the sounds of insects, rain, wind and industrial spaces etc., but rarely reveals what sources are being used on which recordings.

This latest outing by Spain's most prolific experimental artist was prepared with sounds recorded in Grain Silo #5, in Montreal, Quebec. Last year the experimental duo known as [the user] began the Silophone project, transforming an abandoned grain silo into a gigantic instrument. The project ran for a year and artists from around the world were invited to Montreal to use the instrument. Participants included Aube, Carsten Nicolai, Martin Tetreault, [the user], Jaap Blonk and many others. Without question the year's highlight was the live performance by Francisco Lopez

"Untitled #180" is perhaps López' most playful and humorous release. While it features López' trademark swells, bursts of pure sound and extended periods of silence, a unique element captured on this release is the predominant electroacoustic feel to the sound.

UNTITLED #1 UNTITLED #2

UNTITLED UNTITLED UNTITLED UNTITLED UNTITLED UNTITLED UNTITLED UNTITLED UNTITLED UNTITLED UNTITLED