| 25824 |
CD |
05.09.2005 |
A CASE OF GRENADA HELL ACTUALLY IS ALL AROUND |
REDFIELD |
Hardcore/Punk |
 |
"We entered this room with respect and fear - these four walls have seen a lot and they know about every facet of our life. For six months you're hiding in this world easily loosing your sense of time and it's not until later that you realize how damn good that feels." That's how A CASE OF GRENADA's frontman Flo describes their work on the second longplayer "Hell Actually Is All Around". - "It's a crazy world - in June 2003 you receive an e-mail from a total stranger and in September that very same year, this stranger already releases your first long player. Some other  |
| |
| 24724 |
CD |
07.03.2005 |
A CASE OF GRENADA THE EVIDENCE |
REDFIELD |
Hardcore/Punk |
 |
The four guys from Siegen in Germany have delivered an amazing debut-album THE EVIDENCE. 9 songs which couldn't have been arranged and produced better. the album is convincing from the first moment on and can hold this standard until the last song. This record is an absolute must for friends of Zarathustra or Jr. Ewing. Its your own fault if you don't pay any attention to this band! IMMATURITY OF A MOMENT THE SECRET IN THE SOUND ARTIFICIAL SUN KILLS IDEOLOGISTS MONITOR SINGNALS ON DISPLAYS SOAKED IN BLOOD ELECTRIC DANCE FLOOR POETRY TRAITORS MANUAL AS FAR AS WE CAN'T SE  |
| |
| 25074 |
CD |
06.06.2005 |
ALIAS CAYLON RESORBING EVERYTHING |
REDFIELD |
Hardcore/Punk |
 |
Alias Caylon from German cities Flensburg and Schleswig didn't rush and took their time to develop and mature their sound and spent the major part of 2004 recording their debut album "Resorbing Everything". The music of the four guys is alternative rock with elements of punk and hardcore. Everyone knows most of the bands on this planet can be thankful to have two or three outstanding songs on a nice/good album, but - without any exaggeration - Alias Caylon don't face this problem. They are one of these rare bands that doesn't produce fillers. And if you like their style  |
| |
| 24723 |
CD |
07.03.2005 |
ANDTHEWINNERIS NO NEED TO WORRY SHE'S ALREADY DEAD |
REDFIELD |
Hardcore/Punk |
 |
The long awaited second release of the pop-punker from Hannover is here at last! A 6-song cd and video which leaves no questions unanswered of how emotions are supposed to sound. Live on stage they kick ass but this ep reveals its real quality while just quietly listening to it at home. Everything one needs for a great summer! JUST ASK ME ONE MORE TIME AND YOU W THE ROASTBEEF-COMBOS ARE ONLY 9.95, THE FASTEST SONG WE'VE EVER WRITTEN NO HORSE, NO GUN, NO WIFE... POOR G UNGARDED CHOCOLATE CHIPS ARE EASY T NEXT STOP - FANTASY ISLAND  |
| |
| 26621 |
CD |
18.11.2005 |
CAUDILL, JEFF HERE'S WHAT YOU SHOULD DO |
REDFIELD |
Independent |
 |
Der Ex-GAMEFACE Sänger mit erstem Solo-Album! In ihrer dreizehnjährigen Bandgeschichte veröffentlichte diese Band fünf Alben und eine handvoll Singles. Zwei Jahre nach dem Split seiner Band, ist JEFF CAUDILL wieder als Sänger und kreativer Songschreiber zurück. Mit seinem Solodebüt "Here's What You Should Do" zeigt er sich von einer ruhigeren Seite und beeindruckt uns mit Einflüssen, die vom Indie Rock, über Alternative Country bis hin zum Power Pop gehen. Dieser Europa-Release enthält zwei exklusive und bisher unveröffentlichte Bonus-Tracks: "Stop Writing Songs (acoustic  |
| |
| 30422 |
CD |
30.03.2007 |
CAUDILL, JEFF & DRIVE TIL MORNING I WAS THE LEAD SINGER |
REDFIELD |
Independent |
 |
Two ex-punks-turned Americana songsmiths cover each other's material and collaborate on a new gem about more than a decade's worth of indie martyrdom. You knew Jeff Caudill as the front man of vastly underrated but widely adored 90s emo-pop band,Gameface. Since the demise of the band in 2003, Caudill has been recording as a solo artist with a, let's say, more "grown up" sound. The San Diego Troubabour calls him "the second coming of Michael Stipe". Jeff's 2005 full length, "Here's What You Should Do" was thought to be "...stronger than anything in the Gameface catalog" -  |
| |
| 31943 |
CD |
14.09.2007 |
CRASH MY DEVILLE PLEASE GLAMOUR, DON'T HURT 'EM |
REDFIELD |
Hardcore/Punk |
 |
After their debut-album "The Consequence Of Setting Yourself On Fire" which was released in 2006 on Redfield Records, CRASH MY DEVILLE have matured as a band and are now on their way to find their very own sound. With "Please Glamour Don_t Hurt Ém" the six German musicians from Saarland move a big step forward. The work at Gernhart Studio - together with producer Martin Buchwalter - really payed off. The injury of shouter Daniel, who strained his lung while doing the shouts and had to go to hospital, shows how intensely CRASH MY DEVILLE acted in the studio. This 12 songs  |
| |
| 26129 |
CD |
03.03.2006 |
CRASH MY DEVILLE THE CONSEQUENCE OF SETTING YOURSELF |
REDFIELD |
Hardcore/Punk |
 |
Throw together some Hardcore, Metal and Screamo and shake them well. Suddenly CRASH MY DEVILLE are standing in front of you, expressing very precisely what they have to say on their new album ,The Consequence Of Setting Yourself On Fire", they draw the bow as far as it will go to then discharge it with their melodies and a deep rumbling. On their debut album the four guys from Saarland captivate their listeners with an own blend of delicate brut force and powerful catchyness. The band has been active since late 2002 and after thousands of kilometres on the road are not  |
| |
| 24725 |
CD |
07.03.2005 |
DIATRIBE IN MEMORY OF TOMORROW |
REDFIELD |
Hardcore/Punk |
 |
With "in memory of tomorrow" the five Paderborner guys are presenting a very versatile hardcore album, far away from deadlocked structures. 10 songs have been forged together with a lot of independence which convince from beginning to end and pull one into their spell. The production is first class - one can tell straight away that a lot of devotion and intuition has gone into it. This album shows that it is worth investing in German newcomer bands even if the road to the well earned acknowledgement is long and winding. It's up to you! STRANGLE AREA AMPLIFICATION RAPID EYE  |
| |
| 33196 |
CD |
14.03.2008 |
FIDGET ASHES & DUST |
REDFIELD |
Hardcore/Punk |
 |
"Fidget is renowned to be the most light-footed Alternative Rock in Germany" - as quoted by Visions Magazine (one of Germany's biggest rock-magazines) to their previous album "The Merciless Beauty". Düsseldorf's quintet come from a very situated, decent type of rock music, too special to be classified into one rock gender - they were then, compared to all possible bands since after the release of their "Dixon" EP. We now take a blast at 2008, and Fidget acknowledges this bang with their "Ashes & Dust" album to be a new beginning. Their new sound of rock sounds matured,  |
| |
| 24952 |
LP |
11.04.2005 |
FIRE IN THE ATTIC CRUSH/REBUILD |
REDFIELD |
Hardcore/Punk |
 |
In early 2004 a German band appears out of nowhere and manages to sell the first two pressings of their debut-EP, which was released in April 2004, in a heartbeat. These five young and devoted guys from Bonn take their chances and are already able to look back on more than 60 shows with bands like BILLY TALENT, TAKING BACK SUNDAY, HOT WATER MUSIC, COHEED & CAMBRIA, ON THE MIGHT OF PRINCESS, STANDSTILL and AEREOGRAMME. FIRE IN THE ATTIC's debut-EP "Decision & Action" was more than well received by both the fans and the press: the title-track was downloaded more than 20,000  |
| |
| 24953 |
CD |
11.04.2005 |
FIRE IN THE ATTIC CRUSH/REBUILD |
REDFIELD |
Hardcore/Punk |
 |
In early 2004 a German band appears out of nowhere and manages to sell the first two pressings of their debut-EP, which was released in April 2004, in a heartbeat. These five young and devoted guys from Bonn take their chances and are already able to look back on more than 60 shows with bands like BILLY TALENT, TAKING BACK SUNDAY, HOT WATER MUSIC, COHEED & CAMBRIA, ON THE MIGHT OF PRINCESS, STANDSTILL and AEREOGRAMME. FIRE IN THE ATTIC's debut-EP "Decision & Action" was more than well received by both the fans and the press: the title-track was downloaded more than 20,000  |
| |
| 34070 |
LP |
23.05.2008 |
FIRE IN THE ATTIC CUM GRANO SALIS |
REDFIELD |
Hardcore/Punk |
 |
Limitiert auf 500 Stück und farbiges Vinyl. ELECTRIC ARC SENSES RIDING SHOTGUN BENCHWARMER SLEEP! DON'T BREATH! B.Y.O.O. (BRING YOUR OWN ORGANS) FAKE IT LIKE YOU MEAN IT READAPTING CHEERS TO YOU, MRS. FORD GILGAMESH, WHAT HAVE WE DONE? THE COCOON THERE'S A LEAK!  |
| |
| 34007 |
2 CD |
18.04.2008 |
FIRE IN THE ATTIC CUM GRANO SALIS |
REDFIELD |
Hardcore/Punk |
 |
Zwei Jahre sind seit dem letzten FIRE IN THE ATTIC Release vergangen und nun ist es endlich so weit: Sie schauen mal wieder vorbei, grüßen freundlich mit der Hand an der Mütze und verwandeln, freudig grinsend und nur Sekundenbruchteile nach Betätigung des Play-Knopfes die jeweilige Heim-Anlage, allerdings eben auch alle gesteckten Erwartungen, in rauchende Aschenhäufchen! Der Fünfer aus Bonn nutzte die letzten zwei Jahre aus, um sich einerseits durch massive und nicht abreißende (Live-) Präsenz im hiesigen Rock-Zirkus zu etablieren und nahm sich zum anderen die Zeit, um  |
| |
| 24744 |
CD |
07.03.2005 |
FIRE IN THE ATTIC DECISION & ACTION |
REDFIELD |
Hardcore/Punk |
 |
The new band featuring members of SUMMER'S LAST REGRET and FASTPLANT is called FIRE IN THE ATTIC. On their first EP "Decision & Action" you can listen to 5 amazing and roaring postpunk songs with a very fine production. This record rocks like hell - from the begining to the end. HOW TO KILL A FEELING AND SAVE A MO DECISION & ACTION LINDBERGH CASE THE REQUIEM GHOST FROM THE PAST  |
| |
| 27968 |
LP |
02.06.2006 |
FIRE IN THE ATTIC I'LL BEAT YOU, CITY! |
REDFIELD |
Hardcore/Punk |
 |
Limitierte Vinyl-Auflage (250 Stk. transparent grün, 250 Stk. transparent blau)!  |
| |
| 27969 |
CD |
02.06.2006 |
FIRE IN THE ATTIC I'LL BEAT YOU, CITY! |
REDFIELD |
Hardcore/Punk |
 |
Nach der Veröffentlichung ihres erfolgreichen Longplay Debüts "Crush/Rebuild" im April 2005 stand der Tourbus selten still. Neben gut besuchten Club-Touren beeindruckten FIRE IN THE ATTIC auch als Support-Act von BILLY TALENT, BOYSETSFIRE, COHEED AND CAMBRIA, FINCH, HOT WATER MUSIC, MILLENCOLIN und TAKING BACK SUNDAY Publikum und Headliner gleichermaßen. Auch die Presse äußerte sich euphorisch: ,..kaum eine Band aus unseren Landen kann eine so überzeugende (erste) Platte abliefern, wie es die Bonner Jungs Fire In The Attic hier tun." - VISIONS. ,Fire In The Attic machen  |
| |
| 36019 |
CD |
07.11.2008 |
KENAI AT MERCY'S HAND |
REDFIELD |
Hardcore/Punk |
 |
Sechs Engländer aus Essex begeistern durch ihre Kombination aus wuchtigen Metal-Sounds, mitreißenden Rock-Riffs, eingängigen Melodien, und einem MySpace-Profil mit weit über 730.000 Aufrufen nicht nur die britische Musikwelt. Und das mit einem Durchschnittsalter von gerade einmal 20 Jahren! Nachdem man 2007 die EP "Ideas Are Bulletproof" in Eigenregie veröffentlichte, machen Kenai mit ihrer aktuellen Veröffentlichung "At Mercy_s Hand" einen weiteren, riesengroßen Schritt nach vorne. Aufgenommen im "The Old School Recording Studio" von Neak Young in Wales, überzeugt "At  |
| |
| 27296 |
CD |
03.02.2006 |
MARCH TURN |
REDFIELD |
Independent |
 |
MARCH war ein kurzes Projekt von GAMEFACE Frontmann JEFF CAUDILL und dem Multi-Instrumentalisten Michael Bains. Caudill, dessen Indie-Pop Band GAMEFACE seit 1991 unterwegs war, gründete mit Bains 1995 zusammen mit Schlagzeuger Dennis Remsig (OUTSPOKEN) und Bassist George Brambila die Band MARCH. Sie schrieben eine handvoll Songs und veröffentlichten sie auf ihrem einzigen Album ,Turn". Danach löste sich die Band auf, das Plattenlabel folgte und bald war ,Turn" vergriffen. Bis jetzt! Mit einer gelungenen Mischung aus typischem Gitarren-Rock und einfühlsamen Balladen  |
| |
| 37054 |
CD |
20.02.2009 |
NARZISS ECHO |
REDFIELD |
Hardcore/Punk |
 |
 |
| |
| 28617 |
CD |
01.09.2006 |
ORDINARY ME, THE BREATHING IS A REFLEX |
REDFIELD |
Hardcore/Punk |
 |
Chaos dominates every beginning. When The Ordinary Me started in 2002, they were just the side project of some Frankfurt-based punk rockers. The only thing they had in common? They liked each other and wanted to try something new. Even though bubble-gum punkrock reigned supreme in these times, it has never been able to express the feelings of a German winter. But which path was the right one for the band? They argued, felt their way through the chaos of ideas, tried something new and finally found a way. They split up with the ones who didn't want to follow and resisted  |
| |
| 32980 |
CD |
15.02.2008 |
PARACHUTES VULTURES |
REDFIELD |
Hardcore/Punk |
 |
Seit 2003 sind die Parachutes der Garant für eine explosive Liveshow. Sie spielten über 200 Konzerte und teilten sich dabei die Bühne mit Acts wie Taking Back Sunday, The Used, Underoath, Rise Against, Caliban, Boysetsfire, Waterdown und vielen mehr. Das 2006 veröffentlichte Debütalbum "And I won't stop until you've lost everything you ever loved" wurde europaweit vom englischen Label Lockjaw Records (Tribute To Nothing, Second Monday) vertrieben und ebnete der Band einen wichtigen Schritt in den Fokus der Öffentlichkeit. Die VISIONS (06/2006) bescheinigte der Band  |
| |
| 32265 |
CD5 |
19.10.2007 |
SONAH BRÜCKEN |
REDFIELD |
Rock |
 |
"Wegen diesem einen Moment, die schönsten und besten Sekunden, dem Gefühl, dass du verbrennst, wie ein Pflaster für alle Wunden." - SONAH / Und genau wegen diesem einen Moment stehen SONAH aus Marburg auf der Bühne, schreiben Songs und haben gerade ihre erste Single aus ihrem aktuellen Album "Kurzgeschichten" veröffentlicht. BRÜCKEN BRÜCKEN (RADIO EDIT) KOMM ZURÜCK  |
| |
| 32264 |
CD |
02.11.2007 |
SONAH KURZGESCHICHTEN |
REDFIELD |
Rock |
 |
"Wegen diesem einen Moment, die schönsten und besten Sekunden, dem Gefühl, dass du verbrennst, wie ein Pflaster für alle Wunden." - SONAH / Und genau wegen diesem einen Moment stehen SONAH aus Marburg auf der Bühne, schreiben Songs und haben gerade ihr erstes Album aufgenommen. "Ich glaube es gibt SONAH seit Frühjahr dieses Jahres. Eine lange Bandgeschichte haben wir also nicht vorzuweisen. Aber ist es im Grunde nicht egal wie viel Zeit eine Band schon in dunklen und verrauchten Clubs oder Proberäumen verbracht hat? Klar, uns kennt fast keiner, aber genau das wollen wir  |
| |
| 33195 |
CD |
07.03.2008 |
TRIP FONTAINE DINOSAURS IN ROCKETSHIPS |
REDFIELD |
Independent |
 |
Trip Fontaine invented themselves by accident a while ago and are a) very close, b) very shambolic (in a tight-as-rude-things sort of way, though) and c) very shouty. They are a ROCK BAND - yes - they are NOT urban. An iconic, five man strike force on twenty-first century apathy, undoubtedly. If you book them at your ethnic-soulfulfunk fest they will scare the chickens and rape your ears. Be warned. Petite Müller, Louis Kahn and Gilbert Saar are Trip Fontaine (among others). And Trip Fontaine are your musical salvation darlings. Just like the original pop star himself,  |
| |
| 31717 |
CD |
10.08.2007 |
VARIOUS - REDFIELD RECORDS THIS IS OUR BUSINESS |
REDFIELD |
Hardcore/Punk |
 |
After six years of Indie, Emo and Hardcore releases, the Düsseldorf-based label Redfield Records presents its first label-compilation called "This Is Our Business". It gives a perfect musical overview about their past and future releases. This compilation includes eleven bands, 22 songs and is available for quite a bargain price. Besides previously unreleased tracks of Fire In The Attic, Crash My Deville and Guns vs. Telekinesis, it includes also their latest signing Sonah and of course many of the other Redfield artists, like Jeff Caudill, A Case Of Grenada, Alias Caylon,  |
| |
| 36371 |
CD |
21.11.2008 |
WE BUTTER THE BREAD WITH BUTTER DAS MONSTER AUS DEM SCHRANK |
REDFIELD |
Hardcore/Punk |
 |
 |
| |
| 35756 |
CD |
07.11.2008 |
YOUR HERO CHRONICLES OF A REAL WORLD |
REDFIELD |
Hardcore/Punk |
 |
The band was born in Rome in spring 2005, composed of some members of various young bands who knew each other having friends in common. They decide to start working together with the purpose of creating a new sound, mixing metal and hardcore powerful sounds with melodic influences and catchy refrains. In summer 2005 Your Hero record their first demo with which the band enters the underground scene, starting to get noticed. In the next months the band starts playing live in their hometown catching the attention of two members of Vanilla Sky (an established band in the  |
| |